Somewhere Between Something and Nothing
A SCAD Fibers MFA Thesis Exhibition by Ivy Anderson
Tectonics of Craft: Reclaiming the Timeless
A two-person exhibition of hand crafted fashion by Ashley Sanders and Judiann Echezabal
One By One
Gallery 2424 is pleased to announce the group exhibition One by One including the incredible work of 25 local artists. The exhibition will be on view March 1-April 5, 2024.
Erosion Patterns
Jennifer E. Moss finds inspiration in the natural world and humanity’s relationship to shifting environments. This body of work explores patterns and textures etched into natural substrates by the forces of wind and water as well as recorded histories embedded in fossils and archaeological finds. These relics function as conduits between our contemporary world and the deep history of our planet. The work in this exhibition utilizes traditional textile techniques and innovative material exploration, including knitting, lacemaking and handmade paper. Jennifer’s monochromatic graphite surfaces direct viewers’ attention to the inherent form and pattern within each piece and imparts a sense of gravity to the work, encouraging contemplation. Using handmade recycled paper and delicate structures allows the work to embody both fragility and resilience. By consciously using recycled and biodegradable materials, Jennifer mirrors the impermanence inherent in our environment and draws attention to the delicate balance between creation and decay, growth and erosion.
Call for Local Artists
Call for Local Artists
Gallery 2424 is seeking works of art for a group exhibition on view from March 1-April 5, 2024.
Submissions due February 11, 2024
Submission is free. Email info@gallery2424.com with up to 3 images of work for consideration as well as identifying information (title, date, medium, dimensions, price). If selected, work must be ready to hang and available for display during the entirety of the exhibition. Accepted artists will be notified on Sunday, February 18 and must drop off their work on Saturday, February 24.
INSTRUCTIONS TO APPLY:
Please email all requested information and digital materials to info@gallery2424.com with subject line “Call for Local Artists” by the end of the day on February 11, 2024.
Gallery 2424 seeks to strike a balance between showing experimental and commercially viable works. There is a 40% commission on all works sold. Artwork is not required to be for sale.
A Day at the Races
Opening Reception: Friday, Dec. 1, 5-9pm
Artist Talk: Sunday, Dec. 17, 3pm
Gallery Hours: Saturday, Dec. 2-Sunday, Dec. 3, 1-4pm; Saturday, Dec. 9, 1-4pm; Saturday, Dec. 16- Sunday, Dec. 17, 1-4pm
A new body of series-based work by artist Heath Ritch brings together two conceptual methodologies that have been part of his practice for many years. One concept takes a specific system of information, in this instance the logic-based sudoku puzzle, and forces it into an artistic mode of expression. The second explores what he describes as a “detached collaboration” between paintings by other artists and his own practice through homage and reference. The combination of these more regimented methods processed through his own creative input informs the work on view.
Heath Ritch is an artist living and working in Savannah, GA. He has worked as an art preparator at Telfair Museums for 18 years. He holds a BFA in painting from Georgia Southern University and an MFA in painting from the Savannah College of Art and Design.
Delight: Enlivening Space and Surface with Color, Light and Movement
An MFA Fibers Thesis Exhibition by Katie Hagen
Opening reception: Friday, Nov. 10, 5-8pm
Gallery hours: Saturday, Nov. 11 and Sunday, Nov. 12, 1-4pm
For the past two years, Katie Hagen has been exploring the aesthetics that create delightful surroundings – what we like in our spaces and why. Evolutionary theory and neuroscientific findings tell us that we do best in environments that echo the natural world in some way. These spaces are rich with visual information that feeds our info-seeking brains and they’re dynamic, like the ultimate enriched environment and our early ancestors’ original home: nature.
This series of installations is an antidote to the right angles, flat surfaces and neutrals of our often sensory-deprived built environment. Their color, light and impression of movement signal that a space is alive and can sustain us – visual messages that fill us with a flush of delight.