In the House of Johnny Ray
In the House of Johnny Ray is a solo exhibition and installation by Marta McWhorter exploring the loss of a parent.
The Winter our Discontent
Gallery 2424 presents The Winter of our Discontent, a solo exhibition by Tamara Garvey.
Resonant Bonds
Resonant Bonds is a multimedia exhibition presented by Shamant Bagrecha & Luz Valenzuela on view at Gallery 2424 from Friday, November 7-Sunday, November 9.
Angst Ink Wood: Ted Walke
A solo exhibition of 26 works by Ted Walke, an artist based in Harrisburg, PA.
Disappearer: New Works by Jon Witzky
Gallery 2424 is proud to present new works on canvas and Yupo by artist, curator, and editor Jon Witzky.
Art & Science in the Florida Keys
An exhibition of student research from Georgia Southern University
Liminal Portrayals
Liminal Portrayals is a solo exhibition of drawings on paper in colored pencil, graphite, and charcoal by Sampy Sicada on view at Gallery 2424 from Friday, June 20-Sunday, June 22.
Roots & Fables: A Graduate Illustration Thesis Show
Roots & Fables: A Graduate Illustration Thesis Show
'Chintz' to 'Cheent': An Imagined Borderless World
MFA Fibers Thesis Exhibition by Malavika Singh Thakur
Sentimental Surrealism: A Collection by Joshua Archer
Blending memory with material, Archer crafts sculptural furnishings that invite viewers into a reflection on the concept of home and retrospection.
CHROMATIC FACETS: Beyond Boundaries • Beyond Roles
An MFA Jewelry Thesis Exhibition by Mengtong Yu
Asheville Arts Fundraiser
Gallery 2424 and Savannah Artist Maxx Feist will be hosting the “It’s a Small World” fundraiser exhibition for one weekend only December 13th through December 15th, 2024. They are calling for local artists to donate pieces to support Asheville artists in need.
Whispered Visions
You are invited to Whispered Visions, a pop up Savannah speakeasy and short film fundraiser on Friday, December 6, 2024 from 6-9pm at Gallery 2424.
Kelly Knight Jewelry Launch Party
Kelly Knight Jewelry is hosting a launch party on Friday, November 8th, 2024, from 5–8 pm, showcasing the culmination of work completed during Kelly's studies as a Master of Arts candidate in Jewelry Design at the Savannah College of Art and Design. The collection represents a progression from one-of-a-kind handmade pieces to items available for order or purchase in person.
Exhibit (A) and Simplicity & Opulence MFA Thesis Exhibitions
SCAD MFA Furniture Design Thesis Exhibitions by Tanuvi Hegde and Yuanxu Liu
Morfar i Grønland
Morfar i Grønland (a Danish translation of “Grandfather in Greenland”) showcases life in the Arctic Circle and what it means to live at the edge of the world through the linocut prints of Harry Christensen (1942-2010). Curated by Xandra Cullen, Christensen’s granddaughter, the exhibit shares never-before-seen work.
sav.exe
sav.exe, curated by Will Penny in partnership with ARTS Southeast and Gallery 2424, presents a multi-site exhibition of new media installations developed around one question: What does it mean to work at the intersection of art and technology today? A select group of Savannah-based artists, known for challenging the boundaries of their respective mediums, have been asked to consider the role that technology plays in relation to their immediate surroundings and community.
Tectonics of Craft: Reclaiming the Timeless
A two-person exhibition of hand crafted fashion by Ashley Sanders and Judiann Echezabal
Somewhere Between Something and Nothing
A SCAD Fibers MFA Thesis Exhibition by Ivy Anderson
One By One
Gallery 2424 is pleased to announce the group exhibition One by One including the incredible work of 25 local artists. The exhibition will be on view March 1-April 5, 2024.
Erosion Patterns
Jennifer E. Moss finds inspiration in the natural world and humanity’s relationship to shifting environments. This body of work explores patterns and textures etched into natural substrates by the forces of wind and water as well as recorded histories embedded in fossils and archaeological finds. These relics function as conduits between our contemporary world and the deep history of our planet. The work in this exhibition utilizes traditional textile techniques and innovative material exploration, including knitting, lacemaking and handmade paper. Jennifer’s monochromatic graphite surfaces direct viewers’ attention to the inherent form and pattern within each piece and imparts a sense of gravity to the work, encouraging contemplation. Using handmade recycled paper and delicate structures allows the work to embody both fragility and resilience. By consciously using recycled and biodegradable materials, Jennifer mirrors the impermanence inherent in our environment and draws attention to the delicate balance between creation and decay, growth and erosion.